Skip to Content

What's New in 2018

2018

 

18 June 2018 - What's new

June 2018

11 June 2018 - What's new

June 2018

28 May 2018 - What's new

May 2018

21 May 2018 - What's new

May 2018
  • 'Amid the avalanche of titles published each year, promoting a book now seems to demand almost as much work as writing it... This may sound a bit spoilt, especially when I know how incredibly lucky I have been, but life is not simple when it comes to promoting foreign translations as well as the British and American editions. For a start you need to banish any hope of working on a future book for at least half a year to nine months. It may be good for your stash of air miles, but some seventeen overseas trips in a year does not help continuity of concentration.' Antony Beevor, author of just-published Arnhem - The Battle for the Bridges 1944, as well as Stalingrad, The Second World War and many other distinguished military histories in Bookbrunch. Our Comment.
  • Closing on 8 June, The Sunday Times/PFD Young Writer of the Year 2018 is open to writers of published fiction, non-fiction and poetry between the ages of 18 and 35 in the UK and Ireland, both published and self-published. There's no entry fee but a First Prize of £5,000 plus a 10 week residency and a year of mentoring, three runners-up get £500.
  • Three other attractive Writing Opportunities are still live.
  • The January Magazine has some useful links - Ten Tips for Autopilot E-book Marketing and Paying to Play: On Submission Fees in Poetry Publishing, as well as some intriguing ones - Sue Grafton Was a Master at Subverting the Detective Novel, My Last Conversation with Ursula K. Le Guin and If It Wasn't For My Corporate Office Job, I Couldn't Be a Novelist.
  • From our Endorsements page: 'Today I only want to say, "thank you". DM has done a truly great job. I have worked with her suggestions which have brought clarity and depth to my subject. Her work on my punctuation is brilliant. As I read through the manuscript now, it is like gliding on silk.' Helena Dodds
  • A must-read for children's authors is Suzy Jenvey's special series for WritersServices, the four-part Essential Guide to Writing for Children. The first article looks at the all-important question of age groups and what you should be aware of in writing for each one. The second part is - Before You Write: What is My Story Going to be? The third part deals with Starting to Write and the fourth part is about Submitting Your Work to Agents and Editors. This series by a hugely experienced children's editorial director and agent helps you get started on your own story or develop what you're already working on.
  • If you need some help with this, our Children's Editorial Services provide reports and copy editing from experienced children's editors.
  • Our links: recent weeks have seen a flurry of conversation about factchecking in the publishing industry, Fact or friction: the problem with factchecking in the book world | Books | The Guardian; a few tips about getting yourself an agent, Ask the Editor: Finding an Agent (or there's our page Finding an Agent with the same title); and Philip Roth, Towering Novelist Who Explored Lust, Jewish Life and America, Dies at 85 - The New York Times. We had hoped to have an interview with Elena Ferrante from the L A Times, but unfortunately the paper's website isn't currently able to deliver its pages in Europe - we'll keep looking for this.
  • Do you want some help with your writing but don't quite know what you want - or even if you need any help? Are you a bit puzzled by the various services on offer, and not sure what to go for? Choosing a service can help you work out which service is right for you.
  • More links: the e-book landscape is shifting and authors who stay current will find rich opportunities, What Every Indie Author Needs to Know About E-Books; Ebook sales are dying. EbooksDigital bookstore selling wide range of ebooks in 50 categories from Hildegard of Bingen to How to Write a Dirty Story and showing how the range of ebooks available is growing. http://www.ebooks.com/ are insanely popular. If the short definition of cognitive dissonance is holding two contradictory ideas to be true, ebooks are about as dissonant as digital content gets, Traditional publishers' ebook sales drop as indie authors and Amazon take off - GeekWire; what you learn from writing a book is how to write that book, Writing Advice from Ann Packer; Amazon has been fighting fake reviews since at least 2012. They have deleted scads of reviews, banned paid reviews, filed suit against several batches of fake review perpetrators, and even forbidden authors from having any type of relationship with reviewers, Authors Are Taking Friendly Fire in Amazon's War on Fake Reviews | The Digital Reader.
  • 'Writing is the only thing that, when I do it, I don't feel I should be doing something else.' Gloria Steinem in our Writers' Quotes.

14 May 2018 - What's new

May 2018

30 April 2018 - What's new

April 2018

23 April 2018 - What's new

April 2018
  • 'For a long time, probably since 1988 when The Silence of the Lambs was published, the crime market was dominated by books about serial killers. I like a good serial-killer thriller, but, probably happily, I do not have one in me. Then Gone Girl changed the game. Psychological suspense is what I had studied and what I thought I would be able to write...' Daniel Mallory, who, under the pseudonym A J Finn, published his much-heralded debut crime novel The Woman in the Window after a career in crime publishing. Our Comment was in the Observer Magazine.
  • An Editor's Advice is a series of seven articles by one of our editors on really useful subjects for writers such as Dialogue, Manuscript presentation and Doing further drafts and Planning: 'The idea of planning doesn't fit well with the idea of the writer as inspired genius, frantically scribbling away. However, I am willing to bet that, no matter what they would have you think, most successful writers plan as much as they write. They just don't tell you about it. The biggest objection that most inexperienced writers raise when someone broaches the delicate matter of planning is that it will get in the way of their inventive powers. A plan will be like a straitjacket. They'll be stuck with this plan and if they come up with a good idea along the way, they will not be able to use it. They are genuinely horrified at the thought...'
  • The Bridport Prize 2018 is open to writers of any nationality writing in English, 16 years old and over. You can submit unpublished Poetry and Short Stories with a First Prize of £5,000, and Flash Fiction and First Novel with a First Prize £1,000. There are various fees. Closing 31 May.
  • Are you struggling to get someone to look at your poetry? Our Poetry Critique service for 150 lines of poetry can help. Our Poetry Collection Editing, unique to WritersServices, edits your collection to prepare it for submission or self-publishing. Both can provide the professional editorial input you need.
  • Our links: I love publishing because it doesn't play to formulae, and something always happens that no-one could predict, Opinion - Publishing Monday, 23 April 2018; the number one question we were asked by investors was: How are you going to create great stories? Publishing startups have the tech - what they need is the stories | The Bookseller; five years ago, I decided that it was time to write my first book, What You Need to Know to Create a Best-selling Book; and What makes a writer? How do you become one? Let's silence the creative writing course snobs | Books | The Guardian.
  • Which service should I choose to help me get my work into good shape for submission or self-publishing? This is the question our page Which service? answers and it then goes on to give a quick rundown on our 20 editorial services for writers, the biggest you can find on the internet.
  • More links: it often surprises people that after her success, she couldn't put her feet up and retire, Hanya Yanagihara: influential magazine editor by day, best-selling author by night | Books | The Guardian; in a groundbreaking study of more than two million books published in North America between 2002 and 2012, scholars found that books by women authors are priced 45% less than those of their male counterparts, Want to earn more as a book author? A male name will help; Amazon is huge - worth $740bn (£530bn) at Monday night's share price - but it moves fast and is a lethal predator, The age of Amazon: a closeup examination of Bezos's behemoth | Technology | The Guardian.
  • It's a common enough fantasy for writers: maybe now I can leave that dreary job and devote myself whole-heartedly to writing. But how practical is it? Is it something you can realistically aspire to, or just a distant fantasy? What are your chances of making your dream come true? Don't give up the day job.
  • 'Always stop while you are going good and don't worry about it until you start to write the next day. That way your subconscious will work on it all the time. But if you think about it consciously or worry about it you will kill it and your brain will be tired before you start.' Ernest Hemingway in our Writers' Quotes.

16 April 2018 - What's new

April 2018

9 April 2018 - What's new

April 2018

2 April 2018 - What's new

April 2018
  • ‘I was given the audio versions of some Harry Potters, read by Stephen Fry, and realised I could match the sound of the words to their shape on the page... Once I heard those Harry Potter books, I could then memorise them. To this day, I know the first three pretty well perfectly...' Leo Carew, whose much-heralded fantasy first novel The Wolf has just been published by Headline and whose website features wild places he's visited, with fabulous photos. Our Comment, From dyspraxia to publication.
  • Have you managed to find a publisher for your work and are now enjoying the thrill of knowing that your book will soon be published? Or are you planning to publish your own book? If you're wondering what happens next, here is an outline of the processes involved. Preparing for publication.
  • Submissions are now open for this year's Polari First Book Prize, which celebrates the very best debut books that explore the LGBT experience, whether through poetry, prose, fiction or non-fiction. Deadline for submissions is 1 May. Books must have been published in English by a writer born or resident in the UK.
  • Are you looking for an assessment of your book? Which Report? helps you work out which of our three reports might be the right one for you. Or do contact us, we'd be glad to advise.
  • Our links: working as a literary agent means being privy to a full canon's worth of submitted novels that the world will never see, The Year in Trump Novel Pitches: An Agent's Lament | Literary Hub; Amazon also has a Donald Trump problem, No Sympathy for Amazon | The New Republic; and 'I spent much of this winter living on an abandoned island in the Hebrides, writing my second book', Going off Grid.
  • 'You are a first-time author without an agent and you receive a contract to publish your book - just how do you evaluate it? Is it fair or biased against the author by prevailing industry standards? Is your publisher looking out for your interests as well as his own - or wording the clauses in a way only advantageous to the company?' Why your book contract needs vetting.
  • More links: reading is crucial, as are new digital storytelling tools, European Children's Bookstore Conference: Internet-Generation Readers; a multimedia sequence which explores the 1981 New Cross fire coming from the poet 'who has made the most exciting contribution to poetry', Jay Bernard's ‘personal and brave' poetry wins Ted Hughes award | Books | The Guardian; and for a few years now, I've been intrigued by the writers who manage to produce both fiction and nonfiction work, The Writers' Roundtable: Fiction vs. Nonfiction.
  • 'I always write in the morning. I was pleased to hear lately that Rousseau, too, after he got up in the morning, went for a short walk and sat down to work. In the morning one's head is particularly fresh. The best thoughts most often come in the morning after waking while still in bed or during the walk.' Leo Tolstoy in our Writers' Quotes.

26 March 2018 - What's new

March 2018

19 March 2018 - What's new

March 2018

12 March 2018 - What's new

March 2018

5 March 2018 - What's new

March 2018

26 February 2018 - What's new

February 2018
  • 'Those of us who write do it because there are stories inside us burning to get out. Writing is essential to our well-being. If you're that kind of writer, never give up! If you start a story and it isn't going well, put it aside...' Judy Blume, author of Are You there, God? It's Me, Margaret, Otherwise Known as Sheila the Great, Forever, Wifey and 25 other books, which have sold over 85 million copies worldwide, but often been banned. Our Comment
  • Are you writing for children? our Children's Editorial Services can help you get your work ready for publication or self-publishing. Have you found it difficult to get expert editorial input on your work ? Do you want to know if it has real commercial potential? Or are you planning to self-publish? Three reports and copy editing are available from our particularly highly-skilled children's editors, including essential advice on age groups and vocabulary.
  • The debate about ebooks goes on. But many writers will think that it's a debate which has been settled and doesn't need global publishers expressing a view - especially since in fact publishers have made a lot of money from ebook sales. But for indie publishers they are vital. News Review
  • Our article on How to get your book translated into English (without it costing the earth) asks writers with a manuscript which needs translating or has been written in English by a non-native speaker: "if your English is good enough, what about translating your book yourself, or writing in English, and then getting your translation polished and copy edited by a professional editor who is a native English speaker?" This could be a cost-effective way of reaching the international English-speaking market.
  • Translation Editing is a polishing service for writers who have translated their work into English or written it in English when it is not their native language. If you need to make sure it's good enough to publish, or send to a publisher, this service is for you. Acknowledging the growth of world English, Translation Editing is designed for the many non-native English speakers throughout the world who want to publish their work in English.
  • Our links: writers who have hated the films based on their books, 20 Literary Adaptations Disavowed by Their Original Authors | Literary Hub; a simple, easily searchable website is one of the most potent tools in the indie author's marketing arsenal, DIY: Essential Elements of an Author Website; many writers in the first half of the 20th century were experimenting with the limits of autobiography, Does it matter if authors make up their memoirs? | Books | The Guardian; some poets suffer through revision. Other poets find life in revision. All poets do it. Fifteen Poets on Revision - The Millions.
  • From Tom Chalmers, formerly of IPR, two articles about rights for self-publishers, Self-publishing - the rights way and How to get your book in the hands of an international audience. 'It's a fact that most self-published authors understand the process that takes them from a written manuscript to a published book, but few realise the additional elements that make publishing a profitable business. Rights licensing is arguably the most vital element in this equation. Whether it's selling translation rights, audio rights or optioning the film rights, these all help balance the book's books...'
  • More links: a writer accused of racism, Keira Drake on ‘The Continent' and Its Twitter Backlash; a contrary view from a writer who is no stranger to controversy, Lionel Shriver says 'politically correct censorship' is damaging fiction | Books | The Guardian; Armand Nourry called the ebook a "stupid product", The Big Five Publishers and the Nutri-Matic Drink Dispenser; and the view of a writer for whom they've been a godsend Ebooks are not 'stupid' - they're a revolution | Books | The Guardian.
  • From our Writers' Quotes, Margaret Atwood in The Blind Assassin 'The only way you can write the truth is to assume that what you set down will never be read. Not by any other person, and not even by yourself at some later date. Otherwise you begin excusing yourself. You must see the writing as emerging like a long scroll of ink from the index finger of your right hand; you must see your left hand erasing it.'

19 February 2018 - What's new

February 2018

12 February 2018 - What's new

February 2018

22 January 2018 - What's new

January 2018
  • 'If you want to write, if you want to create, you must be the most sublime fool that God ever turned out and sent rambling. You must write every single day of your life. You must read dreadful dumb books and glorious books, and let them wrestle in beautiful fights inside your head, vulgar one moment, brilliant the next. You must lurk in libraries and climb the stacks like ladders to sniff books like perfumes and wear books like hats upon your crazy heads...' Ray Bradbury, author of Fahrenheit 451, The Martian Chronicles and Something Wicked This Way Comes gives us this week's Comment.
  • An Editor's Advice is a series of seven articles by one of our editors on really useful subjects for writers such as Manuscript presentation, Dialogue, Doing further drafts and Planning: 'The idea of planning doesn't fit well with the idea of the writer as inspired genius, frantically scribbling away. However, I am willing to bet that, no matter what they would have you think, most successful writers plan as much as they write. They just don't tell you about it. The biggest objection that most inexperienced writers raise when someone broaches the delicate matter of planning is that it will get in the way of their inventive powers. A plan will be like a straitjacket. They'll be stuck with this plan and if they come up with a good idea along the way, they will not be able to use it. They are genuinely horrified at the thought...'
  • The Big Idea Competition 2018 is open to UK residents age 13 and over with no entry fee. It's unusual in that it's for an idea rather than a piece of writing. The winner gets £1,000 plus the promise that their idea will become a complete story written by a successful children's author, 5 Runners-up get £1,000.
  • Are you getting ready to publish your book - perhaps planning to self-publish? WritersServices offers a suite of nine services which help writers get their work into shape before they self-publish. Services for Self-publishers.
  • Our links: a touching piece on the great writer who has just died - for the past 57 years, one of the most original imaginations ever to grace American letters has lived in a hundred-year-old house built from a kit from Sears, My Last Conversation with Ursula K. Le Guin; some of the most memorable quotes from the writer herself, A life in quotes: Ursula K Le Guin and Jane Friedman's take on the value of free content, Indie Authors and the Value of Free Content.
  • The Web as a Research tool - there are some sensational research resources for writers on the web. The search engines and other directories have made these accessible.
  • More links: giving a fresh meaning to the notion of a poetry slam, the august poetry journal PN Review has published a stinging critique, Poetry world split over polemic attacking 'amateur' work by 'young female poets'; looking at the question of how to make a living as a writer, What Are You Even For? and what's happening to a new generation of literary women writers? Women write literary fiction's big hitters. So where are their prizes?
  • Authors often find it difficult to write their own synopsis for submission to publishers, which is where our Synopsis-writing service can help. If you're preparing to self-publish and having difficulty with your blurb, our Blurb-writing service is what you need.
  • An empassioned William Faulkner in our Writers' Quotes: 'Read, read, read. Read everything -- trash, classics, good and bad, and see how they do it. Just like a carpenter who works as an apprentice and studies the master. Read! You'll absorb it. Then write. If it's good, you'll find out. If it's not, throw it out of the window.'

15 January 2018 - What's new

January 2018
  • A story in the Bookseller, unfortunately behind the paywall, has provided encouragement for short story writers this week. Short story collections have sold 692,087 units or £5.88m in value in the UK during 2017. This is up 32% by volume and 45% by value over 2016. News Review
  • 'T. S. Eliot said to me "There's only one way a poet can develop his actual writing - apart from self-criticism & continual practice. And that is by reading other poetry aloud - and it doesn't matter whether he understands it or not (i.e. even if it is in another language.) What matters, above all, is educating the ear."...' Ted Hughes, giving advice to his 18 year-old daughter Frieda on becoming a poet, provides our Comment.
  • From our 19-part Inside Publishing series: on Copyright 'Many writers worry about losing their copyright. Before sending out your manuscript it is always advisable to put a copyright line consisting of the copyright sign ©, the year and your name on the title page...'
  • On The Writer/Publisher Financial Relationship: 'There's no escaping the fact that publishers and authors are essentially in an adversarial position. Even in the very best and most supportive publisher/writer relationships there is the tension caused by the fact that authors would like to earn as much as possible from their writing and publishers to pay as little as they can get away with...'
  • The White Review Short Story Prize 2018 closes on 1 March. It's open to writers resident in Britain and Ireland who have yet to secure a publishing deal, with an entry fee of £15 but some low income exclusions. The prize is £2,500.
  • 'Hardly any authors can copy edit their own writing. It is notoriously difficult to spot the errors in your own work. So professional copy editing does make sense, either if you are trying to give your work its best chance when submitting it or, even more crucially, if you are planning to self-publish...' Getting your manuscript copy edited
  • Our links: can novels do interiority and the drama of the mind infinitely better than TV and film do? The Novelist's Complicity; Sue Grafton made her wishes clear: Her best-selling mystery series would die when she did, These authors risk the wrath of readers to keep book franchises alive; a poet who is the first literate person in his family, hailed as ‘the definitive arrival of a significant voice', TS Eliot prize goes to Ocean Vuong's 'compellingly assured' debut collection.
  • Writing Biography & Autobiography is a serialisation from our archive of the book by Brian D Osborne published by A & C BlackClick for A & C Black Publishers Publishers References listing. In the first excerpt, 'Managing the matters of truth and objectivity', the author says: 'Just as you need to remember that letters, reports, census forms, legal documents and so forth were not created simply for our convenience, so you also need to remember that what is written in them may not be true...'
  • More links: a Curtis BrownSee Curtis Brown listing literary super-agent on the biggest threat to books today, Jonny Geller: the future of books; was this copyright infrigement? WikiLeaks shared the full ‘Fire and Fury' book online. Here's why that may be a problem; and time spent on marketing means less time for writing, Ten Tips for Autopilot E-book Marketing.
  • From the inimitable Kenneth Tynan:'A critic is a man who knows the way but can't drive the car.' In our Writers' Quotes.

8 January 2018 - What's new

January 2018
  • 'I do put in complicated ideas because I think children are highly intelligent. Thinking outside the box is natural to them. The heroes of my books are always the creative, inventive thinkers.' She wants her books ‘to feel like sweets not brussel sprouts. Not something that you ought to be doing but something you want to be doing.' Cressida Cowell, author of the How to Train Your Dragon series and The Wizards of Once in the Bookseller, on writing for children.
  • For anyone thinking about or embarked on self-publishing, our ten-part WritersServices Self-Publishing Guide by Joanne PhillipsUK-based freelance writer and ghostwriter. She has had articles published in national writing magazines, and has ghostwritten books on subjects as diverse as hairdressing and keeping chickens. Visit her at www.joannephillips.co.uk is an essential starting-point, taking you through the process step-by-step. 'In this series of articles we'll be looking in more detail at the various self-publishing routes currently available to new indie authors. When you first start out on your indie journey, the array of options can be overwhelming. I know that when I began researching my options in early 2012 I was stunned by two apparently contradictory facts: there is so much information out there it's almost impossible to sift through it all, but at the same time a lot of the information is vague and generalised, and it can be hard to find real facts and figures - like expected sales figures and actual costs...'
  • 'We don't often cover a specific event, but if you like poetry and are in reach of London this weekend, don't miss a wonderful evening of poetry. Get your tickets for the fabulous T S Eliot Prize Shortlist Readings, to be hosted by Ian McMillan, with all ten shortlisted poets expected to read...' News Review
  • Putting together Your submission package - 'given the difficulty of getting agents and publishers to take on your work, it's really important to make sure that you present it in the best possible way. Less is more, so don't send a full manuscript, as it's very unlikely to be read. Far better to tempt them with a submission package that will leave them wanting to see the rest of the manuscript'.
  • Our links: what the heck is going to happen next? 2018 Book Publishing Predictions - Are Indie Authors Losing their Independence? A collection of musings, tips and essays from some of our favourite authors about the business of writing, Buy a cat, stay up late, don't drink: top 10 writers' tips on writing; and the publishing industry hasn't produced a must-read adult book in several years, but that drought came to an end in the first week of January, 'Fire and Fury': Anatomy of a Bombshell.
  • If you're thinking about getting a report on your manuscript, how do you work out which one would suit you best? Which Report? includes our new top-of-the range service, the Editor's Report Plus, introduced by popular demand to provide even more detail. This very substantial report takes the form of a chapter-by-chapter breakdown and many writers have found this detail helps them to get their book right. Through our specialist children's editors we can offer reports on children's books.
  • More links: I'd rather describe my darkest, dirtiest sexual fantasies than tell you how much I've earned writing novels. But this essay is about my corporate career, which means it's mostly about money; to tell it right I have to come clean, If It Wasn't For My Corporate Office Job, I Couldn't Be a Novelist; "we've decided that the world has moved on from blogs-so this is the last post here." The Rise and Fall of the Blog; and, does it really make sense? - Paying to Play: On Submission Fees in Poetry Publishing.
  • 'The unread story is not a story; it is little black marks on wood pulp. The reader, reading it, makes it live: a live thing, a story.' Ursula K. Le Guin in our Writers' Quotes.

1 January 2018 - What's new

January 2018
  • 'A published writer has people pay to read the manifestations of her imagination, soul, and heart. For me, that remains extraordinary. It will always be the dream transaction for me, but it is also the most exposing, the rawest, unavoidable, supremely important fact in my life that I have battled desperately to understand and get a handle on these past three years...' Jessie Burton, author of bestselling The Miniaturist (just very successfully made into an excellent BBC One two-parter) and The Muse. Our Comment.
  • The Interpreter's House Poetry Competition 2018 closes on 31 January. It's open to all poets over 18 with an entry fee of £4 for one poem, £10 for three poems. The First Prize is £500, the Second Prize £150 and the Third Prize £100.
  • From our 19-part Inside Publishing series, Subsidiary Rights: 'My first job in publishing was in a subsidiary rights department. I'm ashamed to admit that I accepted the job without having much idea what subsidiary rights were. Many writers may feel just as vague about this part of publishing, so here's a quick breakdown...' and Vanity Publishing: 'It is natural for writers to be eager to get published but it pays to be wary of the vanity publishers who will take your money and give you very little in return...' Vanity publishing is quite distinct from Self-publishing, you need to be aware of the differences.
  • The question of funding for literary fiction has been in the news recently and has attracted a range of different views, ranging from the feeling that literary publishers need this subsidy to be able to carry on, to Tim Lott's feeling that literary writers have lost the plot (literally). News Review looks at whether literary novelists deserve public funding.
  • As well as our highly-regarded Copy editing service, which will help you prepare your manuscript for submission or self-publishing, we have Manuscript Polishing, which provides a higher-level polishing service, Writer's edit, a new line-editing service, and Translation editing for writers who are not native English speakers. We also provide  a Proof-reading service. Our UK-based Editing services for writers have a solid professional reputation and we often have authors coming back to us for further assistance, see our Endorsements.
  • Our links: if you're a writer, here's an idea: resolve to get rejected. 100 times this year, if you're lucky, The Most-Rejected Books of All Time; a job which requires monumental effort and a certain degree of skill to research, write, and publish a 35,000-word manuscript on a different historical subject every month, Writing History; a self-publisher looking back on her various successes and failures, and trying to draw up a plan to help her books gain more readers in 2018, 10 indie publishing predictions for 2018; and a fan's affectionate appraisal of the much-loved crime writer who died this week, Sue Grafton Was a Master at Subverting the Detective Novel.
  • Which service should I choose to help me get my work into good shape for submission or self-publishing? This is the question our page Which service? answers and it then goes on to give a quick rundown on our 20 editorial services for writers, which we think is the biggest you can find on the internet.
  • More links: nowadays, the ebook has a reputation for technological conservatism - so it is easy to forget that there was significant anticipation for the Kindle's arrival ten years ago, Is the e-book a dead format? The next generation of British authors could struggle to land a book deal, according to the publisher who launched Harry Potter writer JK Rowling's career, Brexit will usher in a dark chapter for new British authors, warns publisher; John Ashbery's death in September gave my world a lurch, as the 90-year-old eminent American experimentalist was my favorite living poet, Why Rupi Kaur and Her Peers Are the Most Popular Poets in the World; and they should write better books, Tim Lott says - and asks Why should we subsidise writers who have lost the plot?
  • Stephen King in our Writers' Quotes: 'Making people believe the unbelievable is no trick; it's work. ... Belief and reader absorption come in the details: An overturned tricycle in the gutter of an abandoned neighborhood can stand for everything.'